Analyzing Danielle Harper’s ‘A Slice of Sleep’ Essay -- Literary Analy

The great screenwriter and director Robert Bresson is quoted as saying Make visible what, without you, might never have been seen. This statement is implausibly true of Danielle harpers screenplay A Slice of Sleep. Harper has created a world full of colour that reads to be a world of innocent darkness as it can be joyfully bright and uplifting. The word journey is much overused, but perfectly describes the contents of Harpers script. The following(a) discourse will be looking at how Harper has followed screenwriting conventions, such as the where, what, why and how and using popular screenwriting theorist texts such as Robert McKees Story (1999) and Syd Fields The Definitive Guide to Screenwriting (2003)as guides to analysing Harpers script. The script is split into three parts each part is identifiable by a number of factors, the use of the starry nights sky, the change in room colour collections, the sleeping patterns of the characters and the change of tone in the voice-over. H arpers screen play is a theoretically unconventional collective of scenes, which primarily focus on the sleeping behaviour of its habitants. Characterisation is dictated throughout by the colour schemes of the various abodes. A slice of Sleep offers a sociological view of a cross section of society, which is enabled by the use of tweet characterisation. The first two sections of the screenplay take place within single rooms, mainly bedrooms. These rooms have all carefully been colour coordinated to differentiate amidst the different scenes this also allows the tone of the scene to be set. Harper states in her covering letter how she wanted to create pronounced distinction instantly surrounded by the different segments of the scrip... ...that is strengthened by the use of a narrator, whose changes in tone match the production design revealing an intimate and thought provoking tale. propagation ListBooks-McKee, R, 1999. Story. 1st ed. London Methuen Publishing.Field, S, 2003. The Definitive Guide to Screenwriting. 1st ed. London Random House Publishing.Journals- Rodman, Howard. What a Screenplay Isnt. Cinema Journal, Online. 45.2. Winter 2006.86-89.Available at http//www.jstor.org Accessed 02 April 2012.Websites-Screenplayology.2012.screenplayology.ONLINEAvailable at http//www.screenplayology.com/.Accessed 31 March 12Screen Writers Utopia. 2012. 127 Hours Three Act Structure. ONLINE Available at http//www.screenwritersutopia.com/2012/03/18/127-hours-3-act-structure/. Accessed 01 April 12Films-Pulp Fiction.1994 DVD Quentin Tarantino. USA Miramax